Quiet day at the early Mass at St. Stephen this morning. No choir. Hymns were Bunessan (Praise and thanksgiving) for the processional, Wareham (O Jesus, joy of loving hearts) for the offertory, and Darwall's 148th (To God with gladness sing) for the recessional. All very nicely Anglican. The communion marching music was a responsorial "The Lord is my light and my salvation," a familiar antiphon tune that was oddly ignored by the congregation (sometimes when the ditty is familiar, a few will softly sing along). Sleepy homily dissecting the Lord's Prayer (from this morning's Gospel), so I perused the hymnal.
The eye candy was pretty substantial this morning. Highly distracting. Yes, indeed. Very.
Sunday, July 29, 2007
Sunday, July 22, 2007
Substitute Sunday
You can tell it's summertime and vacation time. This morning, the resident priests and the organist/choirmaster were all on vacation, so we had a substitute priest and a substitute organist.
Since I went to the nine o'clock this morning, I guess the organist had just arrived, so she and the cantoress were going over some of the service music, and, surprisingly, playing some of it on the organ. It's always interesting to hear the Gloria as the prelude! Once they'd looked at the service music, the organist did some "filler" type prelude music, and it was quickly apparent to me that she was not Catholic, Episcopalian, or Lutheran. She had a tremolo going (there's no vibrato stop on that particular organ, so she must have been playing with the Vox Humana against some of the foundation stops) and she seemed to be improvising on what I can only surmise was a "gospel" hymn. She was pretty good for a non-Catholic substitute, though, as she played all of the stuff at the right time and didn't screw anything up. She didn't improvise as much in the "dead spaces" as does the usual organist, but in some parishes, it's normal to play only the hymns and the service music and not do filler. She did "fill," though, after the offertory and communion hymns, and once again, I had that "Protestant" impression and I was reminded of some of the small town funeral home organists I've heard.
Hymns today were Ellecombe (I sing the mighty power of God) for the processional, Sharpthorne (What does the Lord require) for the offertory, and Grosser Gott (Holy God we praise thy name) for the recessional. The particularly not-sung-by-the-congregation responsorial communion hymn marching music was "I received the living God and my heart is full of joy." You know, since the cantors/cantoresses end up singing these things by themselves anyway, I don't know why they just don't let them sing a decent song that's actually meant to be a solo. Service music was the usual summer hodge-podge.
There's no choir at the nine, so there weren't any anthems. I noticed they'd slated William Byrd's "Ave Verum" for a communion motet at the eleven.
The visiting priest, Fr. Casey, was very gregarious. He kept things moving, and I liked that. He also chose to deliver his homily from the center of the pace by the first row of pews instead of hiding behind the ambo (lecturn). He preached on the idea of taking time to listen for God in the midst of all our modern, fast-paced lives.
I noticed one interesting thing in the parish newsletter this morning. They are going to start singing the Mass settings in Latin at the 5:30 Sunday afternoon Mass, though they were careful to point out that the Mass itself would still be said in English. That tall, cute seminarian was there again today, too. What a shame that he's off the market!
Since I went to the nine o'clock this morning, I guess the organist had just arrived, so she and the cantoress were going over some of the service music, and, surprisingly, playing some of it on the organ. It's always interesting to hear the Gloria as the prelude! Once they'd looked at the service music, the organist did some "filler" type prelude music, and it was quickly apparent to me that she was not Catholic, Episcopalian, or Lutheran. She had a tremolo going (there's no vibrato stop on that particular organ, so she must have been playing with the Vox Humana against some of the foundation stops) and she seemed to be improvising on what I can only surmise was a "gospel" hymn. She was pretty good for a non-Catholic substitute, though, as she played all of the stuff at the right time and didn't screw anything up. She didn't improvise as much in the "dead spaces" as does the usual organist, but in some parishes, it's normal to play only the hymns and the service music and not do filler. She did "fill," though, after the offertory and communion hymns, and once again, I had that "Protestant" impression and I was reminded of some of the small town funeral home organists I've heard.
Hymns today were Ellecombe (I sing the mighty power of God) for the processional, Sharpthorne (What does the Lord require) for the offertory, and Grosser Gott (Holy God we praise thy name) for the recessional. The particularly not-sung-by-the-congregation responsorial communion hymn marching music was "I received the living God and my heart is full of joy." You know, since the cantors/cantoresses end up singing these things by themselves anyway, I don't know why they just don't let them sing a decent song that's actually meant to be a solo. Service music was the usual summer hodge-podge.
There's no choir at the nine, so there weren't any anthems. I noticed they'd slated William Byrd's "Ave Verum" for a communion motet at the eleven.
The visiting priest, Fr. Casey, was very gregarious. He kept things moving, and I liked that. He also chose to deliver his homily from the center of the pace by the first row of pews instead of hiding behind the ambo (lecturn). He preached on the idea of taking time to listen for God in the midst of all our modern, fast-paced lives.
I noticed one interesting thing in the parish newsletter this morning. They are going to start singing the Mass settings in Latin at the 5:30 Sunday afternoon Mass, though they were careful to point out that the Mass itself would still be said in English. That tall, cute seminarian was there again today, too. What a shame that he's off the market!
Sunday, July 15, 2007
Making the paper
I made the parish newsletter! The pastor always writes a weekly pastoral letter that takes up most of the front page of the newsletter. Today, it started off with "Walking past me after Sunday Mass a parishioner asked, 'So, Father, when are we going to have a Latin Mass?' I am not sure if he was being sarcastic or sincere, but no doubt he was alluding to Pope Benedict's recent letter, Summorum Pontificum, in which he allows a greater use of the Mass as celebrated before 1970." Alas, though, in talking about the Tridentine Mass, he goes on to say, "I must admit, because [of] its requirements of precision and movement, even if inclined, I am not trained to offer this Mass properly."
Mass today was actually kind of nice. The choir quartet was, once again, in surprisingly excellent form, doing a lovely job on Harold Friedell's "Draw Us in the Spirit's Tether" as the communion motet, and having an amazingly audible descant for the processional hymn (remember, this was a quartet). They really do so well when they sing Anglican literature! (Last week, they sounded good, too, doing Vaughn-Williams' "O How Amiable.")
Hymns today sounded interestingly similar, especially the offertory and recessional. For the processional, they did Leoni (The perfect law of God) with descant, the offertory Wareham (This is my will, my one command), and the recessional Sweet Sacrament (Jesus my Lord, my God, my All). The organist/choir master wrote a new third verse for Sweet Sacrament, "As we go forth from this, Thy house, Slay us with love and charity. Thine is the earth and stars and sun, Let now our hearts, Thine also be."
During communion marching music, the responsorial hymn was the ever-saccharine "God is love, and where true love is" with the Proulx antiphon, but they actually had more than the choir singing today! There was a lady a few pews behind me who was singing along lustily, but, let's just say she was making a joyful "noise" to the Lord.
Mass setting was the same as last week. Msgr. Filardi preached on today's Good Samaritan Gospel reading.
Mass today was actually kind of nice. The choir quartet was, once again, in surprisingly excellent form, doing a lovely job on Harold Friedell's "Draw Us in the Spirit's Tether" as the communion motet, and having an amazingly audible descant for the processional hymn (remember, this was a quartet). They really do so well when they sing Anglican literature! (Last week, they sounded good, too, doing Vaughn-Williams' "O How Amiable.")
Hymns today sounded interestingly similar, especially the offertory and recessional. For the processional, they did Leoni (The perfect law of God) with descant, the offertory Wareham (This is my will, my one command), and the recessional Sweet Sacrament (Jesus my Lord, my God, my All). The organist/choir master wrote a new third verse for Sweet Sacrament, "As we go forth from this, Thy house, Slay us with love and charity. Thine is the earth and stars and sun, Let now our hearts, Thine also be."
During communion marching music, the responsorial hymn was the ever-saccharine "God is love, and where true love is" with the Proulx antiphon, but they actually had more than the choir singing today! There was a lady a few pews behind me who was singing along lustily, but, let's just say she was making a joyful "noise" to the Lord.
Mass setting was the same as last week. Msgr. Filardi preached on today's Good Samaritan Gospel reading.
Sunday, July 8, 2007
More Latin
Everyone was all abuzz this morning at Mass about the pope's recent announcement loosening the restrictions on parish use of the traditional pre-Vatican II Tridentine Mass. The Tridentine Mass is the old Latin rite, and for the past thirty years, parishes have had to have specific permission from their bishops to use it, and that permission has been scant. Under the new rules, the pastor of a parish can decide to use the Tridentine service to meet the pastoral needs of his parish. So, given the fact that nearly two generations of Catholics haven't used the Latin rite, I really don't expect any parish to go 100% Tridentine, or even for every parish to offer a Latin Mass. But, it'll be nice to hear the Latin again.
On the way out after Mass, I asked the celebrant when he was going to start using the Latin, and he and the seminarian standing with him said maybe after September 14....apparently all of the priests have to go to school to get trained on how to do the services and how to pronounce the Latin correctly! LOL
Anyway, there were a lot of people in Mass this morning, a bit of a surprise for a July Sunday.
The Mass setting for today was basically the Proulx A Community Mass with the Gloria from Hurd's New Plainsong Mass, traditional plainsong for the Kyrie, Gospel alleluia, and Exaudi Christe; Isele's Holy Cross Mass for the Agnus Dei, and Gouzes' Non sum dignus.
Hymns were Crucifer for the processional, Hyfrdol (Those who love and those who labor) for the offertory, and Abbot's Leigh for the recessional. The choir did a responsorial communion hymn with Christopher Willcock's "Taste and see" antiphon.
The choir did a surprisingly nice job singing Vaughn-Williams' "O How Amiable" as a post-communion motet. I wasn't expecting much, since the summer schola is only a quartet, but this anthem sounded pretty good. The only thing I noticed was they cut the St. Anne (O God our help in ages past) verse at the end, but that was probably to shorten the piece, as the priest had already sat down and everyone was waiting. This is why back when I was cantoring, I always did the anthem first and then the communion hymn, since I didn't mind cutting the hymn if we didn't need that much filler music.
On the way out after Mass, I asked the celebrant when he was going to start using the Latin, and he and the seminarian standing with him said maybe after September 14....apparently all of the priests have to go to school to get trained on how to do the services and how to pronounce the Latin correctly! LOL
Anyway, there were a lot of people in Mass this morning, a bit of a surprise for a July Sunday.
The Mass setting for today was basically the Proulx A Community Mass with the Gloria from Hurd's New Plainsong Mass, traditional plainsong for the Kyrie, Gospel alleluia, and Exaudi Christe; Isele's Holy Cross Mass for the Agnus Dei, and Gouzes' Non sum dignus.
Hymns were Crucifer for the processional, Hyfrdol (Those who love and those who labor) for the offertory, and Abbot's Leigh for the recessional. The choir did a responsorial communion hymn with Christopher Willcock's "Taste and see" antiphon.
The choir did a surprisingly nice job singing Vaughn-Williams' "O How Amiable" as a post-communion motet. I wasn't expecting much, since the summer schola is only a quartet, but this anthem sounded pretty good. The only thing I noticed was they cut the St. Anne (O God our help in ages past) verse at the end, but that was probably to shorten the piece, as the priest had already sat down and everyone was waiting. This is why back when I was cantoring, I always did the anthem first and then the communion hymn, since I didn't mind cutting the hymn if we didn't need that much filler music.
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