Gilding the sky

Ever since my first visit well over two years ago, I've reported that it seems as though the majority of the congregation at St. Paul's K Street is either geriatric or gay (or both); this morning, I confirmed that suspicion. In the opening hymn (When morning gilds the sky), there was a phrase that goes, "When evening shadows fall, this rings my curfew call, may Jesus Christ be praised!" Well, I heard from singing parishioners in multiple locations not "this rings my curfew call," but "this rings my curtain call."

Theater fags.

Anyway, I made a special point to go to K Street this morning, because this was John's first official Sunday as the new organist and assistant music director, and we're so happy to have him there! He played stunningly this morning, and the choir he directed sounded beautiful and well-balanced. The new interim music director has been selected—a Brit, surprise surprise LOL—but he won't get here until at least the end of the month (as soon as his visa clears the embassy in London), so John gets to do both jobs for the time being.

Today's organ prelude was "Adagio in E minor" by Frank Bridge. The postlude was "Flourish for an Occasion" by William Henry Harris. You can tell John did his masters at Indiana.

Hymns were the aforementioned Laudes Domini for the processional, Wachet auf (Praise the Lord through every nation) for the sequence, Herr Jesu Christ (O saving Victim) for post-communion, and Winchester New (Before the Lord's eternal throne) for the recessional.

The choir sang the a capella Palestrina Missa Brevis for the Mass setting. They also did "Christ whose glory fills the sky" (not the hymn tune) by T. Frederick H. Candlyn for the offertory anthem and "O nata Lux de lumine" by Thomas Tallis for the communion motet. They did an Anglican chant by James Turle for the psalm setting.